I studied my own perception
both scientifically and as experience. I pursed the development of
my own abstract language in response to my exploration.linking
philosophy of life into the language, a visual rythems representing
rythems of life. Brushstrokes/ Spiritual the order of
forms/Scientific that encapsulates my interest. These interests
also explore spirituality and morality. These beginnings start from
what I perceive ,ie, a room or a view and then using this initial
objective beginning to uncover more abstract concepts and ideas
that investigate life and issues embedded into our belief
systems.
Rooms , interiors arrangement of space shapes and the objects
contained in the limits of the room. This became a point of
abstraction. The objects became less about figurative objects and
incresingly more about abstract elements that I could manipulate
towards the needs of the painting. Inventing a natural painting
language and form of my own ( of course with other influences ).
this is essentially the way my vision operates as it dissects form
space and reality into a new reality that belongs only to the
painting. This is a visual world in itself that has its own rules
and logic that is understood essentially by myself as the author of
the painting. So, I have been emersed in a reciprocal dialogue with
the painting an exchange between what is seen and witnessed in the
physical world and a constructed abstraction.
